The Kiwaya KTS-4 has gone, gone to a good home.... but why?

It's gone. The Kiwaya KTS-4 that I bought and was so thrilled with when I bought it four years ago. I posted about it here in August 2012. Yes, it's a wonderful, superb ukulele - but I wasn't playing it. Why? because I have another superb soprano uke that I love even more and have played all the time since I bought it 18 months ago - My D J Morgan long neck soprano in spruce and bird's eye maple. "Sprucey Lucy". Every now and then I would get the Kiwaya out, marvel at its satin mahogany beauty and its wonderful sound - then put it away and reach for my craftsman-built D J Morgan. Being a spruce top, the sound is different from mahogany, it's champagne rather than cognac - but the volume, the tone, the sustain and the intonation are every bit as good, and I just love it even more. Gorgeous thing.

A friend at the GFS convention in November asked me if I still had the Kiwaya; he had played it some time ago and thought it wonderful - which it is! He asked if I would give him first refusal if I decided to sell it. Of course I would. I went home, got the Kiwaya out, marvelled at its satin mahogany beauty and its wonderful sound - and reached for Sprucey Lucy. I made a decision. Within a few days the Kiwaya was in my friend's hands, and fine hands they are, too - it has gone to a very good home! No point in keeping a lovely uke if it's not played. And now it will be played and enjoyed as it should be.

So My D J Morgan spruce-top soprano uke is still my instrument of first choice. I pick it up and the feel and the sound are just perfect. Everyone who has seen and played it who knows anything at all about the build of ukuleles thinks it superb - and since I bought it, I can pass a shop with ukes in the window, and not give more than a passing glance - I even went to Hawaii last year and was not tempted by the first-class K brands to be had there. You just can't say better than that!

I hope to post again before Christmas. Meanwhile, thanks for dropping in! Very much appreciated... now I'm going to fetch the Christmas tree in!

Johnny Foodstamp, my Kiwaya KTS-4 and a bit of Roy Smeck - what a combination!

I told you that Johnny Foodstamp (from Nashville, Tennessee) made the pilgrimage to a George Formby Society convention in Blackpool again... just a week or so ago...

He was interested in my Kiwaya uke, knowing how George Elmes (read about George here on Uke Ireland ) thinks so highly of his Kiwaya ... and as he wanted to play it, and I wanted to hear him play it, the result was this lovely impromptu performance of Roy Smeck's Music Box Waltz.

Pure magic.

Please enjoy....



Mmm, delicious!

Thanks for dropping in....

George Elmes wows them all at The HotSpot

I've been practising 12th St Rag. I was starting to get sort of pleased with it. Did a Youtube today, was going to share it with you - then I spotted THIS....

You know, George Elmes is just up there in the ukulele stratosphere. Watch this set.... 12th St Rag is number four, I think.... this is the sort of performance where you sit open-mouthed and think "Why do I bother?" Well, I bother because trying to play harder pieces is a challenge, it's fun, it's what music has always been to me... and I shall keep on bothering although I will never ever play like George Elmes, I shall be content to watch and listen to him, because that is just heaven... and I'll just keep on trying. But you know, I won't show you my 12th St Rag JUST yet after all..... please enjoy this instead!

George Elmes - A Sweet Melody on Kiwaya KTS-7

You know, I post videos when I just can't resist them. So as far as I'm concerned, they are the Best, with a capital B. George Elmes is so very talented, I love everything he does, and could happily post every single one of his videos on this blog because they are all of the Best, without exception.

I've listened to this lovely original piece three times now and to me it's just full of sunshine, like a lovely spring day hereabouts, glittering light, easy warmth and full of promise... that's special to these islands, unlike anywhere else in the world. And this music speaks of this to me.

George is playing his lovely Kiwaya KTS-7, a top grade solid mahogany soprano uke crafted in Japan. I have a KTS-4, and I love it.

George Elmes, with a blistering "Limehouse Blues"

George Elmes is a great player. I've featured him on here before. This time, his version of Limehouse Blues, with triples and split-strokes..... Limehouse Blues was written in 1922 and made famous by Gertrude Lawrence - read more here

He's a also a big Formby fan - and he's making it over from Ireland to the George Formby Society Convention in Blackpool next weekend, 8th-9th June! I know he'll be made very welcome - as will Johnny Foodstamp of Nashville, another devotee from further afield, indeed from rather further away. In March we welcomed Ukulelezaza, Remco Houtman-Janssen, who made the trip over from Belgium and set the place alight with his fabulous instrumentals. Every fan of Formby or at least his style of playing has to make that pilgrimage sometime! And we will be there again, LSH and I... our fifth convention in a row.

But back to George. George Elmes, that is! Read more about his music and his ukes and meet his idols here, on his own blog....

A new Kiwaya KTS-4 Soprano for a very happy bunny

So much excitement - it seems a long time since I had a little fantasize about what my ideal soprano ukulele would be like, and I dismissed any ideas of owning a custom-built uke as quickly as I had dreamed about one. Why people have them is a whole subject for discussion in itself - suffice it to say, I'm not in the market. I'm still a learner and was brought up not to be extravagant. But I did decide that I wanted a soprano for a traditional sound, and that I wanted a good one - for quality of build, precise intonation and a beautiful finish, in solid wood.

When it came to factory-built ukes, there were three contenders, and I wanted to see them and play them. Whilst in London, I dragged poor LSH (Long-Suffering-Husband) off to a ukulele shop - yes, a music shop selling just ukuleles, and advertising the Kiwaya and the Bruko on their website - but no chance, they don't seem to actually stock them. I did spend a happy hour in there playing all the other solid wood ukes though, while LSH spent an equally happy hour in the excellent pub across the road, where the draft bitter was apparently excellent - but I was particularly interested in the Kiwaya KTS-4; I posted Ken Middleton'e reviews of the Kiwaya (made in Japan) and the Bruko #6 (made in Germany) on here, and low and behold, a few days later a used Kiwaya KTS-4 (solid mahogany, no laminates) came up on ebay uk! What a coincidence is that!

I watched that baby and drooled over it all week - LHS doesn't really get why anyone should want more than one wooden uke. And I like a peaceful life. But as the final minutes ticked away I got very twitchy... and he noticed. Doesn't miss a thing - not after forty years. So I told him about it. He must have been feeling particularly mellow - because he replied "You'd better get up the stairs to your computer then!"

"What - to bid for it?"

"Yes if you like!"

Did I need telling twice? I do love that man of mine...the minutes ticked away while I fiddled about getting to the page... now what should my maximum bid be......?

Well - I got it! And yesterday it arrived. It's fitted with Aquila strings, which I plan to change very quickly, so I'm not going to talk much about the sound except to say that yes, the intonation does seem to be spot on, just as it should be, and when you pluck the strings, you can feel the whole body vibrate. The body is built of very thin wood - which, in a ukulele, is a good thing, as long as the internal bracing is adequate.

I just love the look and feel of this uke - it surpasses expectations. The satin finish on it just glows. The tuners are good quality friction tuners and the neck is nice and thin. Rosewood fingerboard, of course. And it is SO light - I'm going to weigh it and compare the weight with my little Mahalo soprano - just to see the difference.

So - that's my soprano story. I'm very happy with my concert uke, and I love this - and I can't really get into tenors at all..... so I'm a happy bunny. A very happy bunny......

Plan - put Living Water Strings on it. Aquilas are very loud, and I want to try the Living Water - because they are just beautiful on my Tanglewood concert uke.

Then - put a Living Water low G string on the Tanglewood to try it out. A low G set-up is great for the jazzy numbers...busy day tomorrow....

I think I want a Kiwaya KTS-4 Soprano Ukulele - here's a review by Ken Middleton

The soprano sized Uke has grown on me greatly - I like the sound, and I like the fact that if I see a chord fingering that goes from fret three to fret ten, I can reach it! I was horrified to find such a chord in the tab for Music Box Waltz, by Roy Smeck. It's reachable on a concert uke, but barely - I've got long fingers - I don't know whether people reach stretches like this on a tenor... but that's another story.

Anyway, I really fancy one of these, the Kiwaya KTS4, or even the KTS5 with more frets, although that one is considerably more pricey. The laminate version, the KS1, has great reviews, but I would love a solid wood instrument, one with a thin enough top to give it the volume and sound that I want. In my dreams, I reckon.

But, I'm hoping, this weekend, to get to a shop that sells these ukes and try them out - the Japanese Kiwaya KS1, the KS4 as above, and a Bruko, a German-made uke which also has gained a great following. I'm expecting the sound to be very different, from what folk have said - it'll be interesting! And there are many more factors to take into account when playing a ukulele; the necks can vary in thickness, some being thinner than usual, and some being thicker; so can the width at the nut (where the strings go through slots at the top before they attach to the tuning pegs). These things can make a lot of difference to personal comfort and preference, and it's one good reason to try to get hands on and play before buying, rather that buying unseen online. The other reason of course is the sound.

I can't finish without a word for Ken Middleton's review. This one is from 2008 and is as thorough and well-considered as ever.

Whoops - I've actually just this minute found a review from Ken where he compares the Bruko 6 to the Kiwaya! It's here....

Thanks, Ken for the music, for the reviews, for the tabs, for the strings.... you are the man.

I planned to do something completely different this morning - this is my trouble, you see..... lah-di-dah.......