Streets of London - played by Ken Middleton

Lots of Ukafrolics to tell you about - which involves me sitting down and writing some.... so while I get myself organised for that, here's a lovely song from Ken Middleton, Ralph McTell's Streets of London, played by Ken on his Mike Pereira tenor at the Ukulele Festival of Scotland 2016, held in Dumfries back in May. It's rather gorgeous. He writes "I have tried to merge Streets of London with the chord sequence to Pachelbel's Canon...." Mmmmmm - lovely.....

Watch it on Youtube here....

One of the great Christmas songs - "The Christmas Song" - Gerald Ross

If you're reading this blog, thanks... I've been doing it for nearly four years now and I'll just recap what it's all about.

For a start, my blog is not "the best"... I have no claims for it. All I do is attempt to tell my own ukulele story, a journey of simple pleasure and forever trying to be a better player. I share the performances I love, and share the word about players whose music I particularly enjoy, and skilful luthiers. If you're here with me, welcome and I thank you for reading!

There are players whose work I have shared many, many times - you can check them out on the tag cloud at the foot of the page. I surprise myself to find that I haven't featured Gerald Ross in solo capacity before, because I love what he does, and have been watching his videos for ages!



Written by Robert Wells, Mel Tormé, 1946
(Watch on Youtube here....)

I love this rendition for the pure musicality of the performance. So gentle and rhythmically interesting, with such a light touch, this is such a joy to listen to, I have to just keep on listening! I'm pretty sure the uke is reentrant tuned, high G. I love the way Gerald has blended luscious resonant phrases with light, almost pizzicato picking, and all those entrancing little runs that make the music skip along lightly. There is so much to learn about beautiful playing from watching and listening to this! I think this will be my favourite Christmas ukulele performance this year! I only wish I could follow the chords Gerald is actually playing!

For Gerald Ross Discography, click here!

Thanks for dropping in... do call again!

What - Widecombe Fair on Ukulele? Oh YES!

But this is NOT the song that you may have learned all those years ago - oh no!


As a child, one of my prize possessions was "The News Chronicle Songbook" - a book full of all manner of songs, which had belonged to my grandmother.

It was the only sheet music in the house, and I used it to play my recorder. I thought it a treasure trove, and discovered all sorts of songs which I would never have come across otherwise... sea shanties and old folk songs, spirituals, hymns and carols... it's still among my treasures now, and if it seemed battered then now it's even more so.
One of the songs I learned and loved was "Widdicombe Fair".. Widecombe-in-the-Moor is a village in Dartmoor National Park in Devon, and the song tells of Old Uncle Tom Cobley and All.... a tale of woe ... Dartmoor is NOT a place one would wish to get lost. If you don't know the old song, hear it here..

Anyway... as I told you last time, I have been hosting Season of the Ukulele, number 164, on the Ukulele Underground Forum. As my theme, I chose "All the Fun of the Fair"... and one of the "Seasonistas" found..... this video. I think it's a spine-tingling performance of this song by "Phil" of the Yorkshire Dales..... Here's his own page.... PhilzMusic

The song was written by Steve Knightley of the English folk duo Show of Hands, and is a reworking of the title and the theme of the old song. It includes the names of the characters and even Tom Pierce and his grey mare - but you never heard this tale before. I love it.... and had to share.

See Steve Knightley perform his song live with his South American cuatro here

Thanks for dropping in! Coming up - some of the songs from my "All the Fun of the Fair" week. Don't go too far away, now!

With the Sound of Purple! Ken Middleton improvisation - My Bonnie

TURNING A FOLK SONG INTO A JIG

I love what Ken Middleton does. He's a great player. Improvisation and what he calls "noodling" are his specialities, I think, and every now and then he comes up with something that just grabs me. This is one such, turning the old folk song "My Bonnie Lies Over the Ocean" into a jig by altering the timing. The hammer-ons and pull-offs are magic.

I noticed Ken's use of triplets here, but didn't notice immediately that he's using the thumb-led triple. I'm used to the fore-finger led triple, but the thumb-led triple isn't tricky, it's just different!

Ken says....

"I wanted to try the well-known Scottish folk tune "My Bonnie Lies Over The Ocean" as a jig. The song is normally played in triple time (3/4), but, after the slow intro, I am playing it in compound duple time (6/8). A jig should have a clear 2 beat feel, with each beat subdivided into 3. Pretty much any tune with a good melodic line can be played as a jig, but folk songs work really well.

The strum I am using is basically a triplet strum: thumb down, pointer up, pointer down. But I don't always play the full triplet. And, I do use other finger and the tune is sometimes played as the triplet, sometimes with just thumb and sometimes with hammer-ons and pull-offs.

I chose to play it in G and often use the 4th string as a melody note."

I do hope you enjoyed that! I've watched it about four times already... one to try and play along with?

Oh - and did you clock that beautiful purple-coloured uke? Custom built for Ken by Rob Collins of Hebden Bridge here in England. It's a deep-bodied uke, 6mm deeper in the body than the normal tenor, for a fuller sound. And the purple colour comes from the wood itself, it's not painted. Purple Heart wood. There you go. For the sound that Ken wanted.

To find out all about this beautiful Purple Heart uke, see Ken's full youtube review... check it out here!

Thanks for dropping in - do call again!

Peter Moss plays two of my all-time favourite songs at the George Formby Convention, Nov 2013

This was so special. These two songs, played so beautifully here by Peter Moss, are among my top few all-time favourites. Til There Was You, and The Way You Look Tonight. I play them a lot, strumming versions, no melody-picking but beautiful chords - songs crafted by real song-masters.

Now, I've featured Peter on "Life's A Ukafrolic" several times before, but I didn't meet him until November, when at last he came to a convention of the George Formby Society and wowed everyone with this beautiful rendition. Isn't it gorgeous? Songs and playing that just melt your limbs. And the reason this is so special to me is because we'd been chatting during a break as he gently played through these songs, and I mentioned that they were my favourites - I didn't know he was actually going to play them on stage - well, when he did - and it's just before this video clip starts - he mentioned my name and sort-of dedicated them to me..... you can imagine how I felt! Such a lovely thing to do, and such a very nice fella... and of course, he was playing his lovely custom-built Pete Howlett tenor, which I've talked about on here before.

Now LSH, (Long-Suffering-Husband), had gone for a pint and a little walkabout round Blackpool, in spite of the cold and drear... so he missed my moment of.... I can't quite find the word! Perhaps its specialness.... that's what happens when you leave the room....

Thanks, as ever, to Peter Pollard for the video....

Next convention - less than two weeks away, 15th-16th March, Imperial Hotel, North Promenade, Blackpool.

This weekend will see Peter Moss doing a ukulele workshop for Go Ukulele Crazy near Lichfield, Staffordshire.

Strum along with Ken Middleton in the Smoky Mountains!

I caught up with Ken Middleton again at the weekend, at the November convention of the George Formby Society in Blackpool. What a great weekend that was! (More about that very soon, I promise...) Once again Ken wowed the Sunday afternoon audience with his playing; first the Tennessee Waltz, then George Elmes joined him on stage to play the old bluegrass tune "Snowdrop". That's built around a repeated chord progression, so it's fun to join in for a strum.

Improvisation is what Ken is doing in this video, recorded during his recent travels to festivals in the USA. And it's something of a speciality of Ken's. I think it's time we heard Ken play in a festival in the UK.....

To improvise, (also called extemporisation), means "to play or sing (music) extemporaneously, especially by inventing variations on a melody or creating new melodies in accordance with a set progression of chords". The point is, it's "as you go along", with no previous planning. Clever stuff, eh? I've always been scared stiff of it..... deep water, as far as I'm concerned. But Ken is pretty good, don't you think?

The set progression of chords in this improvisation is G Dm F C. Playing this progression, I feel that it has a really haunting quality. That's strange, because it's in the key of C major, and major keys are bright keys, whereas minor keys have a sad or melancholy sense around them.... certainly the Dm chord adds that feeling in this progression. It's so effective here because of the beautiful autumnal Smoky mountain setting. Autumn seems to embody a sense of melancholy, with the retreating sun and the retreating green from the leaves, but the beauty is there in the reds and golds.... and the melancholy and the beauty are all here in this improvisation.

So if you've got your uke to hand (haven't you always?) strum along with it, it's fun! That's how I started my day today. I subscribe to Ken's youtube channel (good idea) so this lovely piece dropped into my email inbox this morning. And as Ken has kindly told us the chord progression he's using, I picked up my Tanglewood uke from its place right next to my computer and joined in along with Ken's friend Pete.

Lovely.

Good morning World.....

Oh - and actually, is this piece modal? Comments please!

As Autumn Leaves start to fall, Peter Moss catches the Girl from Ipanema! Medley

Peter Moss really is a great player. I told you back in May how he has returned to his first love, the wooden uke... and all about his lovely new Pete Howlett custom tenor. His new medley of great old songs, Autumn Leaves and Girl from Ipanema really does hit the spot.... it's all there..... and watch for the interesting chord progression to link the two songs!



I love the change of tempo in Autumn Leaves, and with those jazz chords and Latin rhythms it really lifts the mood. As a result of watching this, I've been playing Autumn Leaves all evening! Fantastic song - but I haven't been playing this version of course! A rather simpler one....

Written in 1947, music by Joseph Kosma, words by Jacques Prevert....

Thanks for dropping in, folks - I'll be back....

Peter Moss ukulele solo - medley on Pete Howlett tenor

I've posted before about Peter Moss and his return to the wooden uke, and about the beautiful custom tenor uke that Pete Howlett built for him - well, here it is, played to perfection.... tuned to Bb.

Peter writes "I've had fun with this Pete Howlett Tenor Ukulele in the last 2 months or so. One night I dropped on "Feelings" and on consecutive nights, the other classic tunes fell into place. I hope who ever listens to this recognizes what a wonderful instrument this is and for me, an absolute joy to play. Thank you Mr H."

How can we not, Peter; how can we not - simply sublime.

Jazz on Uke - Great Chord Progression, three positions!

One of my personal targets a few months back, to make some real progress on the ukulele was to learn some chords up the neck of the uke - and I also wanted to get some jazz chords under my belt. They just sound so cool! Thanks to Marcy Marxer in Hawaii, here's not only a great sounding jazz chord progression, but she shows us three positions - the common positions low on the neck, and then two more positions going higher. It's a great tutorial video....

The chord progression is C6 - C#dim - Dm7 - G7. That sounds really good - but up the neck it's even better.

Thanks, Marcy! And - she's playing a Kala tenor.

A GENTLE WAVE - Ukulele Improvisation by Ken Middleton

Just the thing for a peaceful Sunday - tranquility, a calm sea and beautiful sounds from a ukulele. I've already listened to this three times - the usual, when I have really enjoyed a piece of music.

Ken Middleton is a dab-hand at improvisation. I wish I could do it - I know that I could, if I knew my way round the uke fret-board - and there's only one answer to that - work at it.

You have to know your way round the ukulele the way that you know your way round your own house - blindfold. To know where everything is. On the ukulele, that means every note, every chord, every progression, every movement by step up and down an scale, every leap to the note you want... and it means work, concentration and application, and exercising your memory. If you rely completely on chord charts and tabs, you never learn to master the instrument, because you don't know it intimately enough - it's like knowing something only second-hand, somehow.

You also need to know something about structure - structure of a musical piece. If you play, you know that most pieces are played in one key - and the most common key for the uke is the key of C - because that's the easiest key to play in for the ukulele. But a piece of music also has a musical form or shape - and a very common and basic one is AABA.

"Whaaat?" Don't panic. Think of a song - better still, look here, at how music works. I don't believe in reinventing the wheel - this chap explains it very well..... AABA song structure is actually very, very familiar to all of us!

For more detail look at 32 bar form.

AABA is just for starters, but it's a very good start, and enough to keep you going and thinking for a while.

So, knowing a bit about structure in music helps when you want to improvise. Is it essential? Well, it certainly gives you a framework, which you can build on.

Trying to remember how to play pieces without the papers in front of you is a great starter - keep the music nearby to go to when you're stuck, but remember, memorising the musical pathways is a great learning pathway to knowing your instrument. And anyway, it's so much nicer to be able to pick up your uke and just play it, instead of always having to have the music up in front of you.

So - if you want to be able to improvise, know your instrument. I resolve to get to know mine. And start looking at how pieces of music are structured. It's really interesting!

Bach Prelude from the First Suite for Unaccompanied Cello, on Ukulele

Bach Prelude from the First Suite for Unaccompanied Cello

This is simply stunning. This well-known and well-loved prelude, written most likely betweem 1717 and 1723, is often heard on TV and radio, and consists mainly of arpeggiated chords. Beautifully arranged for ukulele by John Moen and played here by John himself on "Stella", his myrtle tenor uke by Mya-Moe, it is jaw-droppingly exquisite. I could just listen over and over again... and I do.

Bach, what a composer - and John Moen - boy, what a musician!

Read all about Bach's Cello Suites here.

And watch more of John Moen's ukulele videos as ukuthemighty. He does a fantastic version of "I Will Survive"... a great voice, too! Watch it and get to know John Moen a little better!

Another Ukulele Hero for me...!

Paul's Custom Uke

Here begins a tale of one man's case of UAS - Ukulele Aquisition Syndrome, or to give it its Latin name, needus ukuleleus. UAS is very, very common among the ukulele-playing community. A collection of five to ten ukuleles in various sizes and woods is not at all uncommon......Paul is a mate on the wonderful Ukulele Underground Forum. He begins his tale thus:

"If there is such a thing as the UAS (ukulele aquisition syndrome) bug, the little blighter bit me twice! I started of with a lovely little Lanikai soprano and fell head over heels in love with the ukulele! Chords were a little easier than the guitar, which I played for 25 years leading up to this, the sweet honey tones simply had me captivated. Then, my better half announced that she had ordered me an 'Oscar Schmidt' concert for valentines! Oh how I love her...Ah...The first thing I did was change the strings to a set of low G Aquila Nylguts. The sound was just beautiful and very different to my Lanikai. Then I heard people talking about solid wood ukuleles and how amazing they sounded and there my next mission began. A few weeks ago I bought myself an Ohana Tenor, all solid mahogany with a cutaway and she is a stunner! So warm and mellow, with sustain for weeks! I also recently commissioned a luthier to build me something rather special. Here are the first pictures; the actual woods which will make up my custom treasure!

Western red cedar - top

Macassar ebony - sides and bottom






Watch this space! Paul"

Reports from Paul to follow from time to time, as the build progresses!