Stourbridge Branch of the George Formby Society celebrates 25 years!

The nearest branch of the George Formby Society to where we live is the Stourbridge Branch. We attend the meetings, held every third Tuesday of the month, when we can, which isn't really nearly as often as we would like. But like all the society meetings, it's a place you can be assured of a warm welcome. It was so on Tuesday evening, 20th December.

It was a very special meeting - not only was it the Christmas meeting, but they were celebrating something rather special - 25 years since Malcolm Palmer had begun the branch! And Malcolm, now turned 80, has been running it with devotion and commitment ever since. Very special, that. The membership were determined to mark the occasion in style. The atmosphere was superb, full of warmth and affection, both for Malcolm and for all those so generous in so many ways, who made it such a special occasion to remember. Malcolm was presented with a lovely glass commemorative clock and a specially designed magazine featuring Malcolm himself in specially crafted images on every page, and more gifts besides! Well-deserved and a delight to witness!

Let us not forget the music! So many members turned up to play and watch that people could only do one song at first. Being the George Formby Society, most people did perform a George Formby song. There was a great selection. I did one as well, one I have only learned recently. I did "Smile All The Time" and remembered it ok, though I think I lost my way a little towards the end of the banjo-uke solo. Never mind, I thought, I'm among friends! Some of us were able to do another song later on, and I did the evergreen wartime song "We'll Meet Again" - a lovely one for everyone to join in singing, and they did! I do enjoy the join-in songs the most! In the photo, just by my strumming hand you can see seated at the keyboard the Stourbridge Branch's greatest star member - Musical Director of the whole George Formby Society, the massively talented Matthew J Richards, who plays keyboard to accompany everyone at Stourbridge and at every national GFS convention at Blackpool. Matthew is simply one of the very most musical people I know, and the most musically considerate, generous and supportive accompanist. He ably accompanies anyone on stage, even when someone loses the rhythm, he manages to stay with them and support them. All the players know this and appreciate it hugely!

I was delighted that Gabriela La Foley was able to call in and give a song, (I Wish I Could Shimmy Like My Sister Kate) even though she had already fitted in a busy day travelling from gig to gig! She's always a star turn, and the most vivacious and charming person you could ever wish to meet! You can just pick her out at the back of the pic here, where all the ladies were playing jingle bells to accompany the song on stage, played and sung by Lynn and Leigh Raybould and friend! (Oooh dear I don't know her name, sorry about that!) I'm there at the back too, next to Gabi; forever at the back, being tall!

I'm indebted to Chris Richards for the photos. There are more on the Stourbridge Branch website!
Well, under pressure time-wise or not, I just had to share this with you. And if I can find some time tomorrow, Christmas Eve, I'll share something else.

In case I don't make it, (the family are coming! Hooray!) I wish you all now a very Happy Christmas, with huge helpings of Peace and Joy! Thanks for finding time to pop in. Please come again!

2015, a Ukafrolicking year, to be sure

You know, looking back over the past year, I can't believe what a fantastic year it has been. I feel so blessed. We have been lucky in 2015 - no major mishaps, new illnesses or traumas, ... so many blessings to count. We're still standing. Good times with good friends, and lots of music.

The Ukafrolics of 2015 were many and varied, and my wonderful Long-Suffering-Husband was there for most of them, hopefully not suffering TOO much, although he doesn't play (determinedly stuck at being able to play only one chord - well, two if you count C6!) George Formby Society Conventions in Blackpool, all four of them; a trip to the Isle of Man with the GFS to celebrate 80 years since George's film "No Limit", which was filmed there; the odd visit to a regional meeting in Stourbridge (our nearest)

and one to the Yorkshire Ukulele Circle in Mirfield in the frozen north in January... and he sent me off without him to the uke festivals GNUF in Huddersfield in May, and UFGB in Cheltenham in June, to be entertained, learn from workshops and have fun with ukulele friends. Added to that we had holidays in Madeira, Hawaii and Majorca - Little Blue Uke came with me everywhere. I've posted here all about those, too...

This was the year that I decided that to make significant and structured progress, I needed professional input... and began lessons with Phil Doleman. This is to be highly recommended! Phil's a great teacher and I really look forward to my lessons, always coming home with new stuff to practice!

New ukes - I've had three; a solid electric VOX which is fun to use, and two beautiful instruments made by luthier Dave Morgan of DJ Morgan Ukuleles. Since I've had those, I can walk past a shop window full of ukes - seriously, I can! I have no cravings for others. My Morgan ukes are real beauties.

I've talked about all these things in posts over the year - but there's one photo I haven't shared before.

Leamington Ukulele Festival in July - everyone singing from the song book - and the wonderfully gifted Matthew J Richards fretting his vintage Martin while my Martin, LSH, strummed it and sang his head off also... oh, that was such fun - what lovely people! Photo thanks to Chris Richards.

As I write, 2016 is fast approaching, the bells will soon be ringing out in my corner of the world. Wherever your little corner is, I hope it's safe, dry, warm and comfortable and that you've got a loved one and a ukulele near to hand. Happy New year, everyone, and wishing you good health - thanks for dropping in!

Matthew J Richards plays Imagine

A beautiful rendition by Matthew J Richards of one of the best songs ever written, in my opinion.

A fitting song for today, written by John Lennon....please listen and enjoy it, and think on the words - I'm sure you know them.

That's it. I can't be cheerful today. Tomorrow I will try to be - that's a promise.

GFS Convention September 2014 - Fred from Quebec and the GFS Band

Just had a really fabulous weekend of Ukafrolics at the September Convention of the GFS (George Formby Society) at the Imperial Hotel, Blackpool. These weekends happen four times a year, every March, June, September and November, and since our first, just over two years ago in June 2012, we have only missed one, and that was because were abroad. You go once, and you're hooked. The atmosphere is something REALLY special. The enthusiasm, the warmth, the friendliness - well, you just have to go and experience it to really understand what I'm talking about.

The main convention experience for most people is sitting in the audience to watch the performances. I, for one, hate to miss anyone's performance, whatever level player they are. That means I do miss out on a lot of back-room and bar-room interaction - but that's another story! The performances are what most people are there for, whether to perform or just to enjoy. And people will travel thousands of miles to be part of this. Last weekend was typical. There were enough folk from other lands to make a whole band of them on stage, for one special number! And most of them got up on that stage and did their own spot as well.

One such was a man I can only refer to as "Fred from Quebec". He performed to a very welcoming audience with great style, a very funny song about a highly-sexed rooster. Fred brought the house down, lovely performance. And he chose to be backed by the band. Now I really do want to spotlight the band at this point - because they are nothing short of magnificent. Sometimes people choose to perform to their own backing tracks, because that's what they are used to, but I do always think that's a shame because that band can back anything and anyone and they don't need the music in front of them, they just pick it up and give the performer just the right balance of backing, whatever they need.... so talented! Even on a song they haven't heard before, like Fred's rooster song.

In that part of the show, the band comprised Dale Norman on drums, Dave Partington (who has written an excellent book on how to perform Formby solos) on bass guitar and the GFS Musical Director, Matthew J Richards on keyboard. Fred began his song. The band listened for a few seconds. Dale came in with a light percussion accompaniment. Next in was Dave on bass, then Matt was in on keyboard - and it was as if they'd known the song all along. That's how good they are. It all sounded brilliant. What stars!



Fred's video doesn't show clearly how the band joined in, but they did, I was there!

I occasionally clamber up onto that stage, always with the fear that I will suddenly "blank" on words or chords, I know it happens to everyone at some time - but the thing is, if you are playing to a backing track and you do suddenly go blank, a backing track will not forgive a moment's hesitation, it just goes on and leave you derailed. With the GFS band you can have confidence that they will follow you and rescue you, even vamp for a while, while you get over it if necessary - it is pure joy to watch and listen how they support the performer, even when a performer misses beats, not waiting until the natural end of a phrase before before beginning the next. Some people do do that if they are sort of "new" to music - but the band are onto it and will not let the performer down. Brilliant. If I were a chap and I wore a hat, Id take it off to them.

Thanks for dropping in - more coming up!

Johnny Foodstamp does Formby Nashville style at the George Formby Society Convention, Blackpool June 2013

Well - the GFS has surely never seen "Formby" done quite like this! Johnny Foodstamp and his lovely young wife made the trip over from Nashville, Tennessee on Saturday especially to attend the George Formby Society Convention. They flew in at 8.30 am and brought the Nashville sunshine with them. They saw Blackpool under blue skies with a blue sea, with people enjoying the beach, just as Blackpool should be.

In spite of the overnight flight and the jet-lag, Johnny was up for making the most of every minute with the Formby fans and star players, and he did.... the fun went on for those with strong enough constitutions well into the early hours! Johnny was made as welcome as the lovely weather he'd brought with him. The above performance of the George Formby numbers "She's Got Two of Everything" and "Under The Blasted Oak" was on the Saturday afternoon concert. Suited and booted for the occasion, you would never have known that he'd been travelling all night without a wink of sleep! Thanks to Pauline Aitken for the video! On Sunday, Johnny gave us "The Dumber They Come, the Better I Like 'Em", a deliciously un-PC Eddie Kantor number from the 1920's. John Bianchi did a lovely Youtube of this song last year... (see blogpost here 7th June 2012) and I'm sure Johnny Foodstamp's version from Sunday will be video'd and up for viewing soon.

And as for the June convention in general ... I can only say that it was one of the very best. I could never have hoped to see so many of my named ukulele heroes on one stage all in one day... just listen to who was there!

Johnny Foodstamp all the way from Nashville as I've said; Matthew J Richards, Mike Warren, Alan Yates, George Elmes was over from Ireland and gave us Limehouse Blues and lovely renditions of some of his short original pieces for soprano uke, Andy Eastwood managed to make the convention on both days even though he's very busy on the professional stage, and even.... wait for it... Ken Middleton. Yes, that's right, Ken Middleton, who came along to see what all the fuss is really about. He gave us a beautiful performance on stage of "I'll Fly Away" and "Try a Little Tenderness", jammed outside in the sunshine with George Elmes, and left with an inkling of what the GFS is all about, even if we didn't exactly manage to make a Formby fan of him! So glad you made it, Ken, and it was lovely to meet you in person at last!

Unfortunately, Ken had to leave before the 9.00 pm Sunday concert, and missed some highlights which I know he would have enjoyed... particularly Andy Eastwood playing Chopin on his soprano wooden uke. Absolutely breathtaking. Add Alan Yates on solo electric guitar with "Apache"; "I'll See You in My Dreams" beautifully performed and sung by Caroline Robson ... once more at the GFS I thought I'd died and gone to heaven. Add in all the lovely performances by the wonderfully skilled split-strokers young and old, and the all-inclusive and well-named "thrash"... you know, there are just a few who just "don't get it"... but I get it... and I just love it.

More later. Thanks for dropping by... I have to go and massage my face. I've got face-ache because I still haven't stopped smiling....

It's Matthew J Richards - Rubinstein's Melody in F

Matthew Richards is one of the nicest chaps you could wish to meet, and one of the most musically gifted. A star and mainstay of the George Formby Society, always there as MD with the band to support the artists as well as to play himself.... he plays wooden uke as well as the banjo-uke and I have posted his youtube videos including tuition vids here before.

His latest offering is an absolute corker - it's his own arrangement of Rubinstein's Melody in F. I popped over to Al Wood's Uke Toob to recommend it, and it was already there.... please watch, be astounded, and then rate it - I reckon you'll give this one five! Then if you're not already a subscriber - my guess is, you soon will be!

Here it is, watch in Uke Toob and click the 5th star to give it five!

He's playing his Mum's vintage Gibson soprano (above!) - I know she doesn't mind, though!

Here's Matthew J Richards with his demonstration of the Formby Split Stroke

Superb tuition video, this....

Bye Bye Blues chord melody - getting it sorted

Matthew J Richards is a superb banjolele player, the Musical Director of the George Formby Society.... and a lovely young feller.

On 21st an 22nd August this year I posted his two superb Youtube video tutorials on playing the 1930 jazz standard Bye Bye Blues chord melody style - that is, playing the chords whilst picking out the melody in between. It's a great style of playing, especially if you're not blessed with a great singing voice - you do the song as an instrumental instead.

I determined to learn it.

Well - the first two lines are pretty easy. The end is very easy, being related to the beginning - BUT - the middle two lines are a bit more challenging. It helps, to have the chords used in the song there in front to you, because in the middle every note is different.

So - I wrote the chords down and yesterday I made it my target to get those middle two lines learnt. Here are the chords - I've starred the tricky lines.

I've recommended this piece to a couple of people, who both love it and are working on it. As for me - I worked hard on it (those two lines) yesterday. Those two lines are still slowing me down, but I'm getting there.

Thanks Matthew for a first-class tutorial piece on ukulele chord melody!


F F Db7

F F D7

G7 G7 Am7 (all open strings)

(*) F F Am Dm

(*) C7 C7 C7 C

F F Db7

F F D7

G7 G7 Am7

F Db7 F


News - backing tracks to George Formby songs by Matthew J Richards are now available here from the George Formby Society shop.