The 2014 March Convention of the George Formby Society approaches - and I'm still flitting...

Just quickly - In a day or two, this blog will be celebrating its 2nd birthday, and I'm hoping on that day to give you a roundup of my ukulele journey so far. I'll do my best, the intention is there - but as my mother always used to say, "The road to hell is paved with good intentions!" Meanwhile, let me report on last week's ukafrolics, as promised.

Peter Moss's ukulele workshop and concert for we members of "Go Ukulele Crazy" in Alrewas (Staffordshire, England) did not disappoint. We explored all sorts of jazzy intros and endings to songs, in different keys, and everyone got something out of it, even the real beginners who just knew a chord or two. Peter's warm and easy style made the atmosphere just perfect. And as for his performance for us afterwards - spellbinding. LSH had to agree. What a player! See him perform his signature piece "William Tell" here... Of Peter, Steven Sproat (great player) commented here "he's the only uke player who makes my jaw drop.." Praise indeed!

On Saturday we trundled off to Dudley to see Andy Eastwood open the second half for Ken Dodd, of Knotty Ash Jam Butty Mines fame.... stupendous. Andy performs with such energy and versatility - banjo-uke, ukulele, violin... a real professional. You need plenty of stamina to perform with Doddy - he's famed for not closing a show until 1.00 am....

My personal ukafrolics over the last week or two have involved lots of Formby-style banjo-uke practice, as next weekend it's Blackpool - the March GFS convention. I hate to admit that my good intentions apropos of the "thrash" for that have gone astray once again - at every convention I promise myself that I'll learn more songs ready for the thrash, (where everyone just gets up and joins in the playing) - and I always disappoint myself, I always fall short, through not putting enough time in on them. I then have to position myself where I can watch a good player's fretting hand, to follow the chords... good fun though! For my sins, instead of concentrating on Formby, in my playing I flit from piece to piece, from Formby to jazz, from Tin Pan Alley to pop, from folk to blues, from songs to instrumentals and back again, round and round, round and round... and just make slow progress, albeit across a pretty wide field.

But I am making progress, I know I am... and you know, I'm having so much fun....