Caroline Stewart does the George Formby Society proud on the radio! She's just a star!

Caroline Stewart and I became friends when we met during the "thrash" at my first George Formby Convention, and her second. Since then we've become great friends, and she has gone from strength to strength with her ukuleles, her lovely voice, and with the George Formby Society itself, where she became chairman two years ago.

On Wednesday 4th January (today as I write, but you probably won't see this until tomorrow) she went on the radio, Zetland fm, to talk about how she began playing ukulele, how she extended to banjo-uke, joined the society, and to talk about George. She's a great ambassador for the GFS. She sings and plays too - a bit of Formby, with a cracking solo (I'm so jealous!) and a little something more contemporary!

See and listen for yourself... here's a link to Caroline's page on the GFS website, where you'll see a link to the 20 minute interview!

Thanks for dropping in, I'll have some more news very soon! And please could you give that Toucan a click and give us a rating, if you would be so kind - I'd really appreciate that!

See you again soon!

The Wigan Boat Express - on the North Yorkshire Moors Railway?

Second day of the George Formby Society meeting in the North Yorkshire Moors, June 2016. First day enjoyed by all, ukulele and banjo-ukulele, Formby songs and non-Formby songs, friendship and music, smiles everywhere, birdsong and sheep just a step away outside Goathland Village Hall. Idyllic. The subject of my last post.

Second day - we met on the platform of Grosmont station, ready to catch a train just up the line to Goathland. A few songs on the platform, to the amusement of the other tourists, and at last the steam train came in. What wonderful beasts these old engines are, lovingly kept going by the devoted steam enthusiasts... when this one came in, it was promptly adorned with a new (temporary) headboard - name-plate - on the front of the engine.... WIGAN BOAT EXPRESS!

The Wigan Boat Express is one of George Formby's comic songs, dating to 1940. The running joke is that Wigan is a seaside town (it isn't) and that it has a pier - where, presumably one might board a ferry or even a ship - in fact, Wigan Pier is a wharf on the Leeds-Liverpool Canal, redeveloped in the 1980's - but of his book, "The Road to Wigan Pier" George Orwell wrote "Well, I am afraid I must tell you that Wigan Pier doesn’t exist. I made a journey specially to see it in 1936, and I couldn’t find it. It did exist once, however, and to judge from the photographs it must have been about twenty feet long." A boat express was a train to take travelers to catch a ferry or a boat...

Well, we sang and played The Wigan Boat Express on the platform, alongside the newly-but- only-temporarily-named train... well, what a hoot! There followed a ride on the train - some of us just went to the next station, to Goathland, and from there we walked through the beautiful moorland countryside to a lovely old pub, the Birch Hall Inn, at Beck Hole. Good beer, good pies, wonderful sandwiches... and those of us who were still there well into the afternoon - we played.

Are we going to do it again next year? You bet we are....

Personal thanks here to Caroline Stewart, Chairman of the GFS, for organising every last detail....



Photos courtesy of Robert Rayner, Tony Jackson, Kate Howard, Caroline Stewart

New Uke Day for Caroline Stewart! And we got to do a duet..

Regular readers will know what a fan I am of DJ Morgan Ukuleles. What's more, I take them places, people see them, play them, recognise them for the fine instruments that they are and very soon, they have one, too - or even two, too! So yesterday, my pal Caroline made the trip down to the Midlands from her home in North Yorkshire to pick up her own beautiful new DJ Morgan soprano.

Here it is...

Made of solid American Walnut, it sings like - it sings like every Morgan uke sings. Beautiful tone, and it's loud. The headstock features Dave's new signature design of three sets of twin thin lines, set art deco style... they look wonderful. And on this uke he has crafted a wooden rosette.

Here it is next next to my DJ Morgan soprano, my Sprucey Lucy! They make a fine pair!

Caroline stayed over with us and it was great to have an evening to play ukes, sing together and natter - so we did this video and posted it on the Ukulele Underground Seasons of the Ukulele...

That was such fun - and a rare treat to do, as we don't live near to each other at all. The video is very raw - recorded simply in front of my PC with the webcam, it's not edited in any way and I think the two ukes overpowered the microphone somewhat. But we had such fun doing it! I hope it's not too long til the next time! I'll see Caroline again at the next George Formby Convention, in Blackpool at the end of February... she'll be performing, as will a lot more highly talented players, especially of George Formby songs! Why not come along? Now, there's something to look forward to at the end of winter!

Thanks for dropping in! I'll be back soon, don't go too far away now!

UFGB Cheltenham 2015... second post with a few pics!

Workshops. How can you attend a festival where the best players in the world are giving lessons, and not partake? That's my view, anyway. I usually take two workshops, but this year my attitude has been simply to take as many as I could afford.

So, UFGB in Cheltenham this last weekend...

Any workshop offered by James Hill is a must - he is ukulele "god" as far as I'm concerned, and such a great teacher to boot. Teaching objectives carefully broken down into a step by step progression toward achievement. It was like a dance.... he guided us effortlessly through filling in the melody gaps between given chords to working out the melody line in another song for ourselves. He guided us along, then armed with the know-how and the confidence, we made it on our own. Satisfaction guaranteed! What a great feeling!

And he signed my Little White Uke...

As did Herb Ohta Jnr! Who, if he didn't actually remember us meeting at the Kamaka factory in Honolulu last month, at least graciously pretended he did! Another lovely man... the prize to be taken away from Herb's workshop, straight after James's, was a catalogue of the finger-picking patterns taught to him by his father, Herb Ohta... it was a joy. Those magic numbers on the page, (thank goodness I did have a pen...) telling you which strings to pick with which fingers and in which order - and hearing how they sound, worked into the music. The thing now is to practice them, get them under the fingers and into the brain. Definitely worth making the effort... for as Herb told us - if you can bring yourself some magic into your music, it's a wonderful thing... if you can bring some magic into your music for others to hear, that's the best of all!

We left those workshops, Caroline and I, feeling like cats who had got the cream. Having got the cream, we headed for the beer. And the concerts.

It was impossible to see absolutely every artist. You have to have refreshment... but we saw most. The line-up was pretty impressive. In the afternoon we saw Ben Rouse, Zoe Bestel and Herb Ohta Jnr before taking a break in search of something hearty. They all showcased their own individual style, and were stupendous. Then the evening concert was everything we'd hoped it would be. The first act was at 6.00 and we missed it. You have to eat. We found seats but changed them eventually as the people in front of us were quite a nuisance with their big ipads stuck up to video, and phones glaring lights up under your nose. What a relief it was to find seats where the folk around us were content to sit quietly and watch the show! Much more civilised... there, my little rant off my chest...

We saw Tobias Elof from Denmark playing wonderful Scandinavian folk instrumentals; "Shine", a trio from Barcelona playing swing music from the 30's, Ukulele Bartt, hugely entertaining; Ryo Natayama, a brilliant young player from Japan; The Hot Potato Syncopators, who put on the most polished and comedic set that had people in stitches; and of course the massively accomplished James Hill with his wife Anne Janelle on cello. Surely a line-up that takes some beating.

I have to have a special mention for Shine. Here in the UK you can't count on a standing ovation. It takes a really special performance to get everyone off their behinds. I tell you, when these fellas finished, people leaped to their feet in their appreciation. They were just so darned GOOD! Flying fingers, oodles of style, massive enthusiasm for their music - which was of the best that the swing era produced. The folk rushed out to buy copies of their CD... I know, I was one... those CD's fairly flew off the table!

That just left the Big Busk and the afternoon back at the Norwood Arms for socialising and the open mic. So here are a few pics! I'm always too busy enjoying myself to trouble with too many photos... then afterwards I regret not taking more!

Dead Man's Uke - (the coolest duo around!) and Yours Truly

Benjamyn Rees


Caroline and myself stealing a pic with Bartt!


My favourite pic of the lot! Stealing a pic of Bartt stealing a pic..


Cootching up close for a pic with Dave Morgan of DJ Morgan Ukuleles - The Uke on the table!


with my great pal Caroline Stewart...


Michael Adcock with Ken Middleton


and Michael on stage at the Norwood Arms!

Caroline Stewart at Ukulele Festival of Great Britain 2015

The theme of this year’s Ukulele Festival of Great Britain – “A Midsummer Night’s Dream”. Clearly, there would be fairies. Look, I’m girlie, I like fairies, I’ve got a lovely pair of black fairy wings that I wore on a charity “Fairy Walk” one midsummer’s night… but this year I was accompanied by Caroline – and Caroline’s strictly a no-nonsense girl who would promptly have disowned me had I gone adorned in wings, ivy and flowers…. so I made the sacrifice and stuck to my Ukulele Freak tee-shirt – and on the Friday night get-together at the pub, the Norwood Arms, we held our breath and went wearing “Formby Style Rules” tees complete with George Formby photo that LSH (Long-Suffering Husband) had had printed for us. Sporting those teeshirts felt like going to a meeting for vegetarians with a placard saying “EAT MORE MEAT”. Seriously. George Formby, his banjolele and his music are viewed with varying degrees of disdain by a sizeable proportion of the ukulele-playing community in Britain. But not all, dear readers, not all. And as card-carrying members of the GFS (George Formby Society) (actually, Caroline is the Chairman, no less…) we felt compelled to fly the Formby flag.

The teeshirts raised some smiles. I think they were friendly… and in that great waiting-room for ladies, the Ladies loo, a great place for chatting while you wait your turn, a conversation with one lady revealed a great love of the Formby style… and my teeshirt was by that time concealed by my sweater, so it wasn’t prompted by that! Anyway, that evening in the pub beer garden, we gave the friendly types at our table renditions of a few Formby favourites… Window Cleaner, Blackpool Rock, Grandad’s Flannelette Nightshirt. And we felt better.

The festival was stupendous. I love it, love it, love it. The workshops, the bazaar, the concerts, yes and the Big Busk…. I’ll come back to post on all that.

For now, switch to Sunday afternoon. Back at the Norwood Arms. Open mic, strictly one song each. So Caroline went up. “Are there any fans of George Formby out there?” Oh yes, there were… they bellowed their approval. So Caroline gave them “Baby” – a song she sings and plays so very beautifully. Here it is. Played on a 1920’s Gibson soprano strung with Living Water Strings.



Went down well, didn't it! It turned out nice again.

(As ever, I missed that introduction, switching the camera on…. Pfffft!)

Just between ourselves, we call ourselves The Gibson Girls... Caroline, Lesley and Kate - GFS Blackpool September 2014

I always have a great time at the George Formby Society Convention in Blackpool. You know I do. I tell you all the time. But last weekend was even a bit extra-special.

Here's one reason. My very good friend Caroline Stewart became Chairman of the society. My first convention in June 2102 was her second, and we quickly became pals in the "thrash" when she advised me that the reason my uke sounded out of tune was that it should have been tuned in D, not in C - and we have been good friends ever since. Caroline sings adn plays very well, and that, together with her love of George Formby have made her very popular with the GFS audiences, as has her willingness to get involved in the society and do her bit - a very able and lovely lady, is Caroline, and a stalwart friend - someone you want in your corner.

Another such is Kate Howard, who attended her first convention, traveling all the way from her home on the Isle of Skye with a Long-Suffering-Husband in tow last year. She loves Formby and the tricky syncopated banjo-uke solos - and my goodness, can she play - yes she can! The three of us have all become good mates, all the proud owners of vintage Gibson UB2 banjo-ukes, and even the three Long-Suffering-Husbands, uke-widowers all, have become great pals and now take themselves off during the conventions to find their own amusements in the local hostelries! Such is the power and appeal of the GFS to bring people together.

Back in March, Caroline suggested that the three of us could perform a medley together, a medley of jazz standards that George performed on TV in 1958 with the Deep River Boys. We all live too far apart to be able to practise together, but we found the chords and learned these three songs, and finally on Saturday we ran them through a couple of times during the mid-afternoon break, ready to perform them during the main concert on Saturday evening. It's not a lot of rehearsal, is it, but we got through it ok.... these girls are such lovely performers, it was great to be up on that Formby stage with them!

Caroline, Lesley, Kate
Photo thanks to Jonathan Mallalieu

And here's a video! Thanks to another good pal, Pauline Aitken!



The band are fabulous. Just tell 'em what your're doing, what key you're playing in - and they're away! Matt, Tony and Dale, that time...

So now I must learn another Formby number, complete with solo. There's challenging...

Thanks for dropping in! Lots more to come...

Morecambe Winter Gardens July 2014 - Baby - Caroline Stewart

Following on from my post yesterday.... Caroline does this song so well - one of the highlights of the one day convention at Morecambe Winter Gardens last weekend, 26th July. This one-day event is great fun; it's such a thrill to get into this wonderful old theatre and see it used for the sort of entertainment it was built for - and to help to raise funds for its restoration. I've posted Caroline singing this song on stage before, in March, with a wooden uke, but the banjo-uke (a Gibson UB2 de-luxe, this one) gives it a slightly different feel.

We have quite a few teenage members of the society, and they are all very good players indeed... they made use of the lovely weather to busk outside the main door when not on stage. An appreciative public threw a total of £80 into their uke cases, which was swiftly handed over to the Morecambe Winter Gardens restoration fund.

Francesca and Catalina Davies, Stuart Lowther and Cameron Aitken, busking for the restoration fund, Morecambe Winter Gardens

The audience!

The thrash! (Everyone joins in!)

Look at that stage... Laurel and Hardy, Lawrence Olivier, Sir Edward Elgar, Morecambe and Wise, the Beatles and George Formby himself have performed on that stage!

Myself... with Caroline Stewart, Kate Howard, Peter Pollard, Dale Norman and John Walley..... and Eric!

So much fun, laughter and good friendship...

So that's it for Morecambe, until next year - I do hope we do it next year... and I do think we shall!
Video and some of the photos by courtesy of Peter Pollard, GFS

Caroline and Ray sing D-Day Dodgers at the GFS Convention, June 2014!

Since I raved about attending my first George Formby Convention in Blackpool in June 2012, it has become a four times a year pilgrimage, not to be missed if I can help it! Last weekend was one such trip, and what a weekend we had of solid music, companionship and fun! I love to take part, the demon just gets hold of me - and I had sensibly decided that this time I would not venture on stage as I hadn't anything properly prepared - the golden rule is, know it - words and music - so that you can't forget it! Well, I do know the chords to Lili Marlene really well, they are easy... so when, at short notice my very good friends Caroline and her husband Ray asked me to accompany them in a rendition of D-Day Dodgers, I was only too pleased for an excuse to get up on that stage! So here we are. Ray's very first time on stage... and Caroline's lovely voice... I first heard this song in the folk club I habitually frequented in the late 1960's, The Jug O'Punch, run by Ian Campbell in Birmingham. A fitting tribute for the D-Day commemorations. Lovely to be on stage with my friends, and not worrying about my voice!

Caroline explains the background to the song....



I should explain that the two day convention is pretty well exclusively devoted to George Formby songs on the Saturday, but Sunday has a lot of other banjo-uke and ukulele music - and the Sunday evening, when the regular band have gone home is quite informal. And that's when we did this, on Sunday evening.

Caroline Stewart sings "Baby"

Here is my great friend and ukulele kindred spirit Caroline (Robson) Stewart at Castleford GFS performing that rare kind of George Formby song, a romantic ballad - "Baby", recorded 1933, and from the film "Boots, Boots"

Doesn't she do that beautifully? I'm so jealous! What a lovely voice! I do believe she's playing her Gibson solid mahogany soprano uke here. Thanks to Peter Pollard for the video. Lovely ....

Wondering what happened to Caroline?

Caroline Robson's banjo-uke solo from "Leaning on a Lamppost" is always a popular post on here. If you are one who has enjoyed it, you may be wondering what Caroline has been up to lately. Well. For a start, she got married is now Caroline Stewart. And her singing and playing goes from strength to strength.

She still plays banjo-uke of course, and in September she was elected assistant treasurer for the George Formby Society... but back in July when the society had a one-day convention at the old Winter Gardens theatre on Morecambe, free to society members and the public alike, Caroline went on stage and did THIS.... What a fabulous performance.... I think it suits her and her voice particularly well, don't you? If you're wondering about the uke, it's my Kiwaya KTS-4 soprano. I think that came over rather nicely too!

Thanks for dropping in.... I'll be back soon with more news....